http://musicland.cl/albums/list?latest=1 en-us 40 musicland - manjar audiovisual Love Is a Four Letter Word is the fourth album from American singer/songwriter Jason Mraz. Produced by Joe Chiccarelli (My Morning Jacket, The Shins), the album sees Mraz continue with his ever-popular mix of classic rock and alternative pop. The singles The World as I See It and I Won t Give Up are included., Rovi Product Notes 2012 album from the award-winning singer/songwriter, the follow-up to his hugely successful album We Sing We Dance We Steal Things. Mraz has been hailed as one of the modern era's most gifted Pop troubadours and rightly so; his music reaches out and touches listeners of all ages and ethnicities. Features 'The World As I See it', 'I Won't Give Up' and 'The Freedom Song'. May 07, 2012 09:57 http://musicland.cl/albums/show/924 http://musicland.cl/albums/show/924 Trumpeter Chris Botti follows up his 2007 classical-themed album Italia and his smash 2009 concert album Live in Boston with 2012's Impressions. In many ways, Impressions combines the best of those two earlier albums by featuring more of the classical crossover and Latin-inflected style of Italia with a few pop reinterpretations and a handful of guest vocalists as in much of his previous work. Produced by famed fusion drummer and longtime Botti associate Bobby Colomby, Impressions is a languid and expertly crafted album in which Botti's burnished, lyrical trumpet tone is often framed against lush orchestrations via arrangers including Vince Mendoza, Gil Goldstein, and others. To these ends, we get a gorgeous take on Frédéric Chopin's Prelude No. 20 in C Minor, a duet with opera star Andrea Bocelli on the David Foster/Botti composition "Per Te [For You]," and a moving, Miles Davis-inspired duo version of R. Kelly's "You Are Not Alone" featuring guitarist Leonardo Amuedo. Also intriguing are such cuts as Botti's brooding and sultry collaboration with jazz piano legend Herbie Hancock on "Tango Suite," his yearning, cinematic take on Astor Piazzolla's "Oblivion" with violinist Caroline Campbell, and his stark duet on the Gershwin standard "Summertime" with pianist Foster. Elsewhere, we get a Broadway-inspired rendition of Randy Newman's "Losing You" featuring country singer Vince Gill, a re-pairing with guitarist Amuedo on the classic "Somewhere Over the Rainbow," and an inspired interpretation of the Louis Armstrong number "What a Wonderful World" featuring guitarist/singer Mark Knopfler. As with most of Botti's oeuvre, Impressions is a lyrical, romantic, and impeccably produced album that makes the most of the trumpeter's generous skills. ~ Matt Collar, Rovi May 07, 2012 09:40 http://musicland.cl/albums/show/923 http://musicland.cl/albums/show/923 Double vinyl LP pressing. Digitally remastered edition of the 1979 smash Rock Opera from the British Rock legends. Roger Waters' harrowing trip into isolation and despair features the classic hits 'Another Brick In The Wall' and 'Run Like Hell' plus 'Mother', 'Young Lust', 'In the Flesh?', 'Comfortably Numb', 'Hey You' and other intoxicating songs that will never leave the Rock radio airwaves. Disc: 1 1. In The Flesh? (2011 - Remaster) 2. The Thin Ice (2011 - Remaster) 3. Another Brick In The Wall, Pt. 1 (2011 - Remaster) 4. The Happiest Days Of Our Lives (2011 - Remaster) 5. Another Brick In The Wall, Pt. 2 (2011 - Remaster) 6. Mother (2011 - Remaster) 7. Goodbye Blue Sky (2011 - Remaster) 8. Empty Spaces (2011 - Remaster) 9. Young Lust (2011 - Remaster) 10. One Of My Turns (2011 - Remaster) 11. Don't Leave Me Now (2011 - Remaster) 12. Another Brick In The Wall, Pt. 3 (2011 - Remaster) 13. Goodbye Cruel World (2011 - Remaster) Disc: 2 1. Hey You (2011 - Remaster) 2. Is There Anybody Out There? (2011 - Remaster) 3. Nobody Home (2011 - Remaster) 4. Vera (2011 - Remaster) 5. Bring The Boys Back Home (2011 - Remaster) 6. Comfortably Numb (2011 - Remaster) 7. The Show Must Go On (2011 - Remaster) 8. In The Flesh (2011 - Remaster) 9. Run Like Hell (2011 - Remaster) 10. Waiting For The Worms (2011 - Remaster) 11. Stop (2011 - Remaster) 12. The Trial (2011 - Remaster) 13. Outside The Wall (2011 - Remaster) April 17, 2012 16:02 http://musicland.cl/albums/show/922 http://musicland.cl/albums/show/922 2012 release from the Jethro Tull frontman, the sequel to the hit 1972 Tull album released to coincide with the 40th Anniversary of the original LP's release. The lyrics on Thick As A Brick were credited at the time to the fictitious child character, Gerald Bostock, whose parents supposedly lied about his age. So, 40 years on, what would Gerald Bostock - aged 50 in 2012 - be doing today? What might have befallen him? The anniversary "part two" album will examine the possible different paths that the precocious young schoolboy, Gerald Bostock, might have taken later in life through alter-ego characters with song-section identities illustrating the hugely varied potential twists and turns of fate and opportunity. Not just for Gerald but to echo how our own lives develop, change direction and ultimately conclude through chance encounters and interventions, however tiny and insignificant they might seem at the time. April 07, 2012 14:16 http://musicland.cl/albums/show/921 http://musicland.cl/albums/show/921 He may be 85 these days, but B.B. King is still B.B. King, and any time he sings or delivers those signature clean, jazzy, and warm guitar lines, it's an extra gift from a musician who has given us listeners and fans so much for so long. This warm, celebratory, and good-natured live set was recorded on June 28, 2011 at London's Royal Albert Hall and features King in chatty good humor and a whole host of guests, including guitarist Derek Trucks, singer Susan Tedeschi, the Rolling Stones' Ronnie Wood, Simply Red's Mick Hucknall, and former Guns N' Roses guitarist Slash. King does what he's always done, and on signature songs like "Rock Me Baby" and "The Thrill Is Gone," one gets the hopeful feeling that King could actually go on and do this forever. He's is in a talkative mood here, and the T-Bone Burnett story he tells as the introduction to a version of Blind Lemon Jefferson's "See That My Grave Is Kept Clean" is a funny yet tender narrative that touches on age, memory, and everything the blues can be. It's obvious that King is enjoying himself, and if this isn't the best live set he's ever done, it might be the warmest. At 85 King is still engaging, comfortable with an audience, and once he slides into one of those sweet-as-Memphis-honey guitar runs, he's everything he's always been. There's only one B.B. King and that he is still that, after all the years of fine music he's given us, is a miracle, a blessing, and a treasure. ~ Steve Leggett, Rovi April 07, 2012 13:57 http://musicland.cl/albums/show/920 http://musicland.cl/albums/show/920 Lionel Richie's birthplace is Tuskegee, Alabama so for his 2012 country duets album, Tuskegee, he is trumpeted as the country boy returning to his roots. And there's something to that: as a songwriter, Richie has had success on the country charts, scoring big with Kenny Rogers of "Lady," one of many Lionel covers Kenny sang over the years. Rogers' enthusiastic embrace of Richie is an indication that the former Commodore's definition of country isn’t quite down-home, and Tuskegee proves that assumption true, with each of Lionel's partners coming from the pop side of Nashville. A few perennials crop up -- Kenny comes in for a revival of "Lady," Willie Nelson stops by to lay some guitar and vocals on "Easy" -- but the point of the album is as much to have current stars pay tribute to Richie as it is to ease him onto country-pop airwaves. Tuskegee winds up being fairly successful in this regard. No matter how many fiddles and steel guitars are added -- and there are never too many -- the songs are never so altered as to be unrecognizable, the melodies are always proudly prominent, and there isn't a speck of dirt to be found anywhere, so it's suited for any clean crossover occasion. Apart from Pixie Lott -- a singer who has absolutely nothing to do with country -- popping up on the international version of the album and maybe the revival of the recent "Just for You," there are no surprises on Tuskegee; even the partners match up correctly, with Jimmy Buffett adding good times to "All Night Long," Shania Twain playing the Diana Ross role on "Endless Love," Rascal Flatts forcefully pumping out the good cheer on "Dancing on the Ceiling," Blake Shelton smiling along on "You Are." Even if the production has changed -- it’s not as glossy as the '80s, there are fewer keyboards and more guitars-the sensibility remains the same, so Tuskegee generates a bit of déjà vu: the surroundings are new, yet everything feels familiar. Whether that’s a comfortable bit of nostalgia or just a shade too predictable depends entirely on the tastes of the listener. ~ Stephen Thomas Erlewine, Rovi Tuskegee [CD/ DVD] [Deluxe Edition] $ 14.900.- DISPONIBLE March 31, 2012 13:48 http://musicland.cl/albums/show/919 http://musicland.cl/albums/show/919 Digitally remastered and expanded seven disc (six CDs + DVD) 'Immersion' edition of the 1979 smash Rock Opera from the British Rock legends. The Immersion Edition expands upon the three CD Experience edition by adding another CD of demos plus a remastered two CD live set (Is There Anybody Out There: The Wall Live), a DVD with a promotional video ("Another Brick in the Wall") and the Behind The Wall documentary, an exclusive photo book, collectors' cards, coasters, a scarf, replicas of backstage passes and concert tickets and more! Roger Waters' harrowing trip into isolation and despair features the classic hits 'Another Brick In The Wall' and 'Run Like Hell' plus 'Mother', 'Young Lust', 'In the Flesh?', 'Comfortably Numb', 'Hey You' and other intoxicating songs that will never leave the Rock radio airwaves. March 06, 2012 08:41 http://musicland.cl/albums/show/917 http://musicland.cl/albums/show/917 Excelente álbum compilatorio del gran músico argentino Luis Alberto Spinetta, en el cual se recorre su carrera musical a lo largo de 35 de sus mejores canciones, en las cuales queda reflejado el inmensurable talento compositivo y musical del músico. Editado por el sello discográfico BMG, el cd reúne todo lo que Spinetta nos transmitió en sus canciones hasta este 2006. CD # Nombre CD 1 1 Castillo de piedra CD 1 2 Ni cuenta te das CD 1 3 La búsqueda de la estrella CD 1 4 Era de tontos CD 1 5 Descalza camina CD 1 6 Viento del azur CD 1 7 Viejas mascarillas CD 1 8 Canción para los días de la vida CD 1 9 Toda la vida tiene música hoy CD 1 10 ¿Dónde está el topacio? CD 1 11 Cheques CD 1 12 Paraiso CD 1 13 Cuenta en el sol CD 1 14 Diana CD 1 15 Luna de abril CD 1 16 Tony CD 1 17 Mi sueño de hoy CD 1 18 Holanda CD 2 1 Jardín de gente CD 2 2 Jazmín CD 2 3 La luz te fue CD 2 4 El sol y la afeitadora eléctrica CD 2 5 Durazno sangrando CD 2 6 Fuji CD 2 7 La miel en tu ventana CD 2 8 Laura va CD 2 9 La sed verdadera CD 2 10 Yo quiero ver un tren CD 2 11 Estás acá CD 2 12 Como el viento voy a ver CD 2 13 Me gusta ese tajo CD 2 14 Ana no duerme CD 2 33 Sucia estrella CD 2 34 Rutas argentinas CD 2 35 Viento del lugar February 18, 2012 09:52 http://musicland.cl/albums/show/915 http://musicland.cl/albums/show/915 While it's not normally a quality one associates with Leonard Cohen, he's always possessed a droll, self-effacing sense of humor. He expresses it on the opening track of Old Ideas in the third person: "I love to speak with Leonard/He's a sportsman and a shepherd/He's a lazy bastard/Living in a suit...." Have no fear, however, Cohen's topical standards, on yearning, struggle, spirituality, love, loss, lust, and mortality are all in abundance here, offered with a poet's insight. It is among Cohen's most spiritual recordings because it brings all of his familiar topics into the fold with a graceful acceptance. He's surrounded by friends on Old Ideas. Patrick Leonard, Dino Soldo, and Anjani Thomas get production and co-writing credits. Sharon Robinson, Dana Glover, Jennifer Warnes, and the Webb Sisters all appear on backing vocals. Cohen mixes up the musical forms far more than he has in the past. The loungey electronic keyboards on "Going Home" are balanced by Glover's female backing chorale, an acoustic piano, and Bela Santelli's violin. The sly, minor-key Gypsy jazz groove on "Amen" is played by a banjo, violin, and Cohen's guitar; it tempers his searing lyric, which posits the notion that the totality of love, divine or otherwise, can only truly be achieved when the object of desire has seen his worst, metaphorically and literally. "Show Me the Place" finds Cohen once again adopting the Protestant hymnal as stirringly as he did on "Halleluja" -- albeit more quietly -- and wedding it to his simple, direct melodic sensibility. The song is a prayer, not for redemption, but to go ever deeper into the cloud of spiritual unknowing before his demise, to discover the terrain where suffering itself is birthed. Warnes' gorgeous backing vocals, piano, guitar, and violin accompany his beneath-the-basement, cracked-leather baritone in delivering the song with conviction and vulnerability. Cohen's live band joins him on "Darkness," where he evokes, musically, his love of both late-'40s R&B and gospel, even as he frankly discusses his own -- and everyone's -- entrance into the big goodnight. He also revisits the spartan sound of his early career with "Crazy to Love You," written with Thomas, on which his only accompaniment is his acoustic guitar. Here, he wrestles with an unwanted but nonetheless nagging attachment to erotic desire. "Come Healing" is another hymn, with Glover's vocals, church organ, violin, and Cohen's croaking, old-man-in-the-pew vocal; he sings with reverence: "O see the darkness yielding/That tore the light apart/Come healing of the reason/Come healing of the heart...." "Banjo" is a country-blues that gives the songwriter a chance to indulge his love for Hank Williams while reflecting on Hurricane Katrina as Soldo's New Orleans-inspired horns add a haunted effect to the tune. Cohen speaks not only for himself, but the ghosts of restless spirits wandering in his vision. "Lullabye"'s lyrics, accompanied by a high lonesome harmonica and a whispering jazz organ, counterintuitively offer a gentle comfort to the disconsolate. "Different Sides," with its slow, loopy groove, is a shuffle that addresses unresolved conflict in lust and law (spiritual and carnal), bringing Old Ideas to a close with an ironic tension. Cohen meets conflict head-on and accepts it for what it is -- you can almost see him simultaneously singing sincerely while slyly winking an eye. Old Ideas is a very good Cohen album; it may be even be a great one; but that doesn't matter in the present. What does is that it bears listening to, over and over (and over) again. ~ Thom Jurek, Rovi February 11, 2012 17:24 http://musicland.cl/albums/show/914 http://musicland.cl/albums/show/914 Designed as a celebration for Amnesty International's 50th Anniversary, Chimes of Freedom is the mother of all tribute albums: a four-disc salute to Bob Dylan that runs some 76 songs performed by singers from all corners of the globe. Apart from LennonMcCartney -- the former of which was the subject of producers Jeff Ayeroff and Julie Yannatta's previous 2007 collection Instant Karma: The Amnesty International Campaign to Save Darfur -- no other songwriter of the rock & roll era could attract so many different artists from so many different genres as Dylan, something that is a testament to the resilience of his catalog. From the very start of his career, Dylan saw his songs covered by all manners of artists, ranging from colleagues and peers to longhair rock bands, easy listening outfits, and weirdos like William Shatner, so the absurd abundance of Chimes of Freedom in a way fits into the grand pattern of history: his songs were always up for grabs, they've survived terrible misguided covers, they've been performed with loving faith, they've been reinvented once and again. Given its monumental length, it should be of no great surprise that Chimes of Freedom has songs that fall into each category, although it is surprisingly bereft of awfulness. Not even Miley Cyrus' painful-in-theory straight-ahead cover of "You're Gonna Make Me Lonesome When You Go" is awful: she may not know who Verlaine and Rimbaud are, but she focuses on the melody and winds up selling the song in the process. Most of the artists here perform a similar trick, choosing love songs over protests, keeping things intimate instead of anthemic. Naturally, there are exceptions to the rule, but the scales on Chimes of Freedom are tipped toward pretty stripped-down sincerity -- even Ke$ha abandons Auto-Tune for a nearly a cappella interpretation of "Don't Think Twice It's Alright" -- an aesthetic that's easy to digest and helps make the artists that do something different pop out dramatically: Flogging Molly's Pogues-ian run through "The Times They Are A-Changing," Bryan Ferry's eerie reading of "Bob Dylan's Dream," Elvis Costello adding spikes to "License to Kill," Sinéad O'Connor tearing up "Property of Jesus," and Queens of the Stone Age tapping into Bob's rowdy side with a tremendous "Outlaw Blues." After a parade of faithful salutes ranging from Billy Bragg's impassioned "Lay Down Your Weary Tune" to Lenny Kravitz's absurd re-creation of "Rainy Day Women #12 & 35," it's great to hear actual re-interpretations of Dylan's songs -- after all, even Bob himself doesn't always sing the same song the same way twice. ~ Stephen Thomas Erlewine, Rovi Disc 1 1 One Too Many Mornings [#] - 3:48 (Cash, Johnny [1]) 2 Leopard-Skin Pill Box Hat [#] - 3:43 (Saadiq, Raphael) 3 Drifters Escape [#] - 3:21 (Smith, Patti) 4 Ballad of Hollis Brown [#] - 5:12 (Rise Against) 5 Blind Willie McTell [#] - 5:15 (Morello, Tom) 6 Corrina, Corrina [#] - 2:34 (Townshend, Pete) 7 Most of the Time [#] - 5:16 (LaVette, Bettye) 8 This Wheel's on Fire [#] - 3:06 (Winston, Charlie) 9 Simple Twist of Fate [#] - 3:51 (Krall, Diana) 10 You Ain't Goin' Nowhere [#] - 3:04 (Dennen, Brett) 11 Love Sick [#] - 3:41 (Mariachi El Bronx) 12 Blowin' In the Wind [#] - 2:43 (Marley, Ziggy) 13 Changing of the Guards [#] - 5:22 (Gaslight Anthem) 14 Not Dark Yet [#] - 6:23 (Silversun Pickups) 15 You're a Big Girl Now [#] - 5:10 (My Morning Jacket) 16 Boots of Spanish Leather [#] - 5:12 (Airborne Toxic Event) 17 Girl From the North Country [#] - 2:54 (Sting [1]) 18 Restless Farewell [#] - 5:51 (Knopfler, Mark) Disc 2 1 Outlaw Blues [#] - 4:08 (Queens of the Stone Age) 2 Rainy Day Woman #12 & 35 [#] - 4:08 (Kravitz, Lenny) 3 One More Cup of Coffee (Valley Below) [#] - 4:43 (Earle, Steve [1] / Micarelli, Lucia) 4 Heart of Mine [#] - 5:30 (Mills, Blake) 5 You're Gonna Make Me Lonesome When You Go [#] - 3:33 (Cyrus, Miley) 6 Lay Down Your Weary Tune [#] - 4:18 (Bragg, Billy) 7 License To Kill [#] - 5:13 (Costello, Elvis) 8 Lay, Lady, Lay [#] - 3:09 (Kidjo, Angelique) 9 Ring Them Bells [#] - 4:09 (Bedingfield, Natasha) 10 Love Minus Zero/No Limit [#] - 4:20 (Browne, Jackson) 11 Seven Curses [Live] - 5:04 (Baez, Joan) 12 No Time To Think [#] - 8:05 (Belle Brigade) 13 Tonight I'll Be Staying Here With You [Live][#] - 3:56 (Sugarland [1]) 14 Mr. Tambourine Man [#] - 4:27 (Jack's Mannequin) 15 4th Time Around [#] - 4:22 (Lavie, Oren) 16 All I Really Want To Do [#] - 5:18 (Deyhim, Sussan) 17 Make You Feel My Love [Recorded Live At WXPN] [Live][#] - 4:06 (Adele [1]) Disc 3 1 With God On Our Side [#] - 3:39 (KNAAN) 2 I Want You [#] - 3:36 (Sarinana, Ximena) 3 She Belongs To Me [#] - 2:58 (Finn, Neil / Pajama Club) 4 Bob Dylan's Dream [#] - 3:54 (Ferry, Bryan) 5 Tomorrow is a Long Time [#] - 3:58 (Avi, Zee) 6 Just Like a Woman [#] - 5:11 (Simon, Carly) 7 The Times They Are a-Changin' [#] - 3:01 (Flogging Molly) 8 Buckets of Rain [#] - 3:13 (Fistful of Mercy) 9 Man of Peace [#] - 7:42 (Perry, Joe [Guitar]) 10 It's All Over Now, Baby Blue [#] - 3:06 (Bad Religion) 11 Desolation Row [Live][#] - 3:01 (My Chemical Romance) 12 Knockin' On Heaven's Door [#] - 3:52 (Red One [3]) 13 Abandoned Love [#] - 4:32 (Lofgren, Nils / Rodgers, Paul) 14 New Morning [#] - 3:06 (Criss, Darren) 15 The Lonesome Death of Hattie Carroll [#] - 5:01 (Cage the Elephant) 16 It Ain't Me, Babe [#] - 3:22 (Band of Skulls) 17 Property of Jesus [#] - 3:36 (O'Connor, Sinead) 18 Shelter From the Storm [#] - 4:11 (Roland, Ed / Sweet Tea Project) 19 Don't Think Twice, It's All Right [#] - 3:49 (Kesha) 20 Don't Think Twice, It's All Right [#][Instrumental] - 4:03 (Kronos Quartet) Disc 4 1 I Shall Be Released [#] - 4:09 (Maroon 5) 2 Political World [#] - 2:48 (Carolina Chocolate Drops) 3 Like a Rolling Stone [#] - 7:24 (Beck, Jeff / Seal) 4 Bob Dylan's 115th Dream [#] - 5:01 (Mahal, Taj [1] / Phamtom Blues Band) 5 Señor (Tales of Yankee Power) [Live][#] - 3:50 (Bentley, Dierks) 6 One of Us Must Know (Sooner or Later) [#] - 4:58 (Hucknall, Mick) 7 I'll Remember You [#] - 4:47 (Gilmore, Thea) 8 John Brown [#] - 4:49 (State Radio) 9 All Along the Watchtower [Live][#] - 7:03 (Matthews, Dave Band [1]) 10 Subterranean Homesick Blues [#] - 2:17 (Franti, Michael) 11 Mama, You Been On My Mind [#] - 3:29 (We Are Augustines) 12 Tryin' To Get To Heaven [#] - 4:41 (Williams, Lucinda) 13 Quinn the Eskimo (the Mighty Quinn) [#] - 2:38 (Kristofferson, Kris) 14 Gotta Serve Somebody [#] - 4:56 (Burdon, Eric) 15 I'd Have You Anytime [#] - 3:53 (Wood, Evan Rachel) 16 Baby Let Me Follow You Down [Live][#] - 2:28 (Faithfull, Marianne) 17 Forever Young [#] - 3:15 (Seeger, Pete) 18 Chimes of Freedom - 7:12 (Dylan, Bob) February 11, 2012 17:15 http://musicland.cl/albums/show/913 http://musicland.cl/albums/show/913